[{"onix":{"RecordReference":"9784903908731","NotificationType":"03","ProductIdentifier":{"ProductIDType":"15","IDValue":"9784903908731"},"DescriptiveDetail":{"ProductComposition":"00","ProductForm":"BA","ProductFormDetail":"B119","Measure":[{"MeasureType":"01","Measurement":"188","MeasureUnitCode":"mm"},{"MeasureType":"02","Measurement":"128","MeasureUnitCode":"mm"},{"MeasureType":"03","Measurement":"19","MeasureUnitCode":"mm"}],"TitleDetail":{"TitleType":"01","TitleElement":{"TitleElementLevel":"01","TitleText":{"collationkey":"カンサツスルオトコ","content":"観察する男"},"Subtitle":{"collationkey":"エイガヲイッポントルトキニカントクガカンガエルコト","content":"映画を一本撮るときに、監督が考えること"}}},"Contributor":[{"SequenceNumber":"1","ContributorRole":["A01"],"PersonName":{"collationkey":"ソウダ カズヒロ","content":"想田和弘"},"BiographicalNote":"1970年栃木県足利市生まれ。東京大学文学部卒。スクール・オブ・ビジュアル・アーツ卒。93年からニューヨーク在住。映画作家。台本やナレーション、ＢＧＭ等を排した、自ら「観察映画」と呼ぶドキュメンタリーの方法を提唱・実践。監督作品に『選挙』『精神』『Peace』『演劇１』『演劇２』『選挙２』があり、国際映画祭などでの受賞多数。著書に『なぜ僕はドキュメンタリーを撮るのか』（講談社現代新書）、『熱狂なきファシズム』（河出書房新社）、『カメラを持て、町へ出よう』（集英社インターナショナル）など。"},{"SequenceNumber":"2","ContributorRole":["B01"],"PersonName":{"collationkey":"ミシマシャ","content":"ミシマ社"}}],"Language":[{"LanguageRole":"01","LanguageCode":"jpn","CountryCode":"JP"}],"Extent":[{"ExtentType":"11","ExtentValue":"264","ExtentUnit":"03"}],"Subject":[{"MainSubject":"","SubjectSchemeIdentifier":"78","SubjectCode":"0095"},{"SubjectSchemeIdentifier":"79","SubjectCode":"11"}],"Audience":[{"AudienceCodeType":"22","AudienceCodeValue":"00"}]},"CollateralDetail":{"TextContent":[{"TextType":"02","ContentAudience":"00","Text":"観察映画『牡蠣工場』（2016年2月公開）をつくる監督を逆観察。\n台本なしの映画づくりの幕が上がる！"},{"TextType":"02","ContentAudience":"04","Text":"舞台は牛窓（岡山県）。カメラを回せば――\nグローバリズム、高齢化、震災の影響、第一次産業の苦境・・・\nすべてが映りこんでいた。\n\n観察映画『牡蠣工場』をつくる監…"},{"TextType":"03","ContentAudience":"00","Text":"舞台は牛窓（岡山県）。カメラを回せば――\nグローバリズム、高齢化、震災の影響、第一次産業の苦境・・・\nすべてが映りこんでいた。\n\n観察映画『牡蠣工場』（2016年2月公開）をつくる監督を逆観察。\n台本なしの映画づくりの幕が上がる！\n映画を観るように読んでください――編集部より\n\n内澤旬子、岸政彦、堀部篤史、各氏推薦！！"},{"TextType":"04","ContentAudience":"00","Text":"本書について\n\nI \n1　舞台はなぜここなのか？\n想田和弘監督　フィルモグラフィー\n\nII　 \n1　誰に密着するのか？\n2　登場人物を増やすか？\n3　どうすれば「映画」になるのか？\n《コラム》牛窓、台湾、秘密保護法案\n\nIII　\n1　何でどう撮るのか？\n2　編集の目的は何か？\n3　どうすれば監督になれるのか？\n4　生計をどう立てるのか？\n5　映画づくりにとって、何がムダか？\n映画『牡蠣工場』あらすじ\n\nIV\n1　何を残し、何をカットするのか？\n2　編集の基準は何か？\n3　「何の」映画なのか？\n4　被写体には観せるのか？\n\nV\n1　映画祭ではどうすれば上映されるのか？\n《コラム》ロカルノから見える日本の風景\n\nあとがき\n編集後記"}],"SupportingResource":[{"ResourceContentType":"01","ContentAudience":"01","ResourceMode":"03","ResourceVersion":[{"ResourceForm":"02","ResourceVersionFeature":[{"ResourceVersionFeatureType":"01","FeatureValue":"D502"},{"ResourceVersionFeatureType":"04","FeatureValue":"9784903908731.jpg"}],"ResourceLink":"https:\/\/cover.openbd.jp\/9784903908731.jpg"}]}]},"PublishingDetail":{"Imprint":{"ImprintIdentifier":[{"ImprintIDType":"24","IDValue":"8143"},{"ImprintIDType":"19","IDValue":"903908"}],"ImprintName":"ミシマ社"},"Publisher":{"PublishingRole":"01","PublisherIdentifier":[{"PublisherIDType":"24","IDValue":"8143"},{"PublisherIDType":"19","IDValue":"903908"}],"PublisherName":"ミシマ社"},"PublishingDate":[{"PublishingDateRole":"01","Date":"20160122"}]},"ProductSupply":{"MarketPublishingDetail":{"MarketPublishingStatus":"00","MarketPublishingStatusNote":"1;"},"SupplyDetail":{"ProductAvailability":"99","Price":[{"PriceType":"01","PriceAmount":"1800","CurrencyCode":"JPY"}]}}},"hanmoto":{"genshomei":"","han":"","gatsugougousuu":"","datejuuhanyotei":"","datezeppan":"","toji":"並製","zaiko":11,"kaisetsu105w":"舞台は牛窓（岡山県）。カメラを回せば――\nグローバリズム、高齢化、震災の影響、第一次産業の苦境・・・\nすべてが映りこんでいた。\n\n観察映画『牡蠣工場』をつくる監督を逆観察。\n台本なしの映画づくりの幕が上がる！","genrecodetrc":1,"ndccode":"","kankoukeitai":"","sonotatokkijikou":"","jushoujouhou":"","furokusonota":"","dokushakakikomi":"","zasshicode":"","hatsubai":"","hatsubaiyomi":"","author":[{"listseq":1,"dokujikubun":"著"},{"listseq":2,"dokujikubun":"編"}],"datemodified":"2016-01-25 10:00:19","datecreated":"2015-12-28 17:36:06","reviews":[{"post_user":"genkina","reviewer":"","source_id":18,"kubun_id":1,"source":"朝日新聞","choyukan":"","han":"","link":"","appearance":"2016-02-07","gou":""},{"post_user":"genkina","reviewer":"","source_id":23,"kubun_id":1,"source":"日本経済新聞","choyukan":"","han":"","link":"","appearance":"2016-03-27","gou":""}],"hanmotoinfo":{"name":"ミシマ社","yomi":"ミシマシャ","url":"http:\/\/www.mishimasha.com","twitter":"https:\/\/twitter.com\/mishimasha","facebook":"https:\/\/ja-jp.facebook.com\/mishimasha\/","chokutori":"1","toritsugitorikyo":"","toritsugisonota":"","eigyoudaihyousha":"","phoneshoten":"075-746-3438","facsimileshoten":"075-746-3439","emailshoten":"team-eigyo@mishimasha.com","ordersite":"5","ordersitesonota":"","ordersitejisha":"","henpin":"直取引の書籍については返品可、取次経由は原則買切条件となります。返品先住所など詳細は弊社HPの「書店様へ」をご覧ください。"},"dateshuppan":"2016-01"},"summary":{"isbn":"9784903908731","title":"観察する男","volume":"","series":"","publisher":"ミシマ社","pubdate":"20160122","cover":"https:\/\/cover.openbd.jp\/9784903908731.jpg","author":"想田和弘／著 ミシマ社／編"}}]